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Hervé, Louise; Maillet, Chloé.
Spectacles Without Objects.  Kunsthal Aarhus. 2016. AHE118
Heta, Albert; Osmani, Vala (eds.)
The way between Belgrade and Prishtina has 28000 un-proper build objects. So, never it will be an auto-ban! Center for Contemporary Art Prishtina.  2008. THE107
Transcripts and texts from “Cultural Policies as Crisis Management?”, project by Stacion Center for Contemporary Art, Prishtina.
Hiller, Susan; Martin, Sarah (eds.)
The Producers: Contemporary Curators in Conversation (2).  University of Newcastle.  2001. THI036
Hiller, Susan; Martin, Sarah (eds.)
The Producers: Contemporary Curators in Conversation (3).  University of Newcastle.  2001. THI023
Hiller, Susan; Martin, Sarah (eds.)
The Producers: Contemporary Curators in Conversation. University of Newcastle. 2000. THI024
Hiltbrunner, Michael; Schenker, Christoph (eds.)
Kunst und Öffentlichkeit. Kritische Praxis der Kunst im Stadtraum Zürich.  JRP|Ringier.  2007. THI100
With texts by Marius Babias, Bernadette Fülscher, Oliver Marchart, Stefan Römer, Hito Steyerl, Philip Ursprung, Ulrich Vonrufs, Tim Zulauf; with contributions by artists Monica Bonvicini, Matthew Buckingham, Harun Farocki, Knowbotic Research, Claudia and Julia Müller, Lawrence Weiner, San Keller, and Shirana Shahbazi. Language: German.
Hlavajova, Maria; Lutticken, Sven; Winder, Jill (eds.)
.) The Return of the Religion and Other Myths: a Critical Reader in Contemporary Art.  BAK, Utrecht.  2009. THL254
Hlavajova, Maria; Winder, Jill (eds.)
Concerning War: A Critical Reader. BAK Utrecht. BAK, basis voor actuele kunst and Revolver, Archiv für aktuelle Kunst (Utrecht/Frankfurt am Main). 2006. THL105
With contributions by Matthew Buckingham, Copenhagen Free University, Critical Art Ensemble, Clémentine Deliss, Joachim Koester, Sven Lütticken, Eva Meyer & Eran Schaerf, Marion von Osten, Alejandro del Pino Velasco/Sarat Maharaj, Irit Rogoff, Natascha Sadr Haghighian & Ashley Hunt, Simon Sheikh.
Hlavajova, Maria; Winder, Jill; Choi, Binna.
On Knowledge Production: A Critical Reader in Contemporary Art.  BAK, basis voor actuele kunst; Revolver.  2008. THL187
Hobbes, Thomas.
Leviatanas.  Pradai.  1999. THO075
Hoffmann, Jens (ed.)
The Next Documenta Should Be Curated by an Artist. E-flux; Revolver, Frankfurt am Main; Platform Garanti Contemporary Art Centre, Istanbul.  2004. THO112
Artists: Marina Abramovic, Pawel Althamer, John Baldessari, Ricardo Basbaum, Laura Belém, Dara Birnbaum, Daniel Buren, AA Bronson, Michael Elmgreen & Ingar Dragset, Morgan Fisher, Liam Gillick, Joseph Grigely, Natascha Sadr Haghighian, Carl Michael von Hausswolff, Isabell Heimerdinger, Federico Herrero, Alfredo Jaar, Tim Lee, Ken Lum, Dorit Margreiter, John Miller, Jonathan Monk, Boris Ondreicka, Serkan Özkaya, Florian Pumhösl, Martha Rosler, Julia Scher, Markus Schinwald, Tino Sehgal, Lawrence Weiner. Curated by Jens Hoffmann.
Holmes, Brian.
Profanity and the Financial Markets: A User’s Guide to Closing the Casino / Das Profane und die Finanzmärkte. Eine Gebrauchsanleitung zur Schließung des Casinos. 100 Notes - 100 Thoughts, dOCUMENTA (13).  Hatje Cantz. 2012. THO690
hooks, bell.
Art On My Mind.  The New Press, New York. 1995. THO188
Hopkins, David.
After Modern Art: 1945-2000.  Oxford University Press. 2000. THO025
Hoptman, Laura; Pospiszyl, Tomaš (eds.)
Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s.  The Museum of Modern Art, New York.  2002. THO026
Hume, David.
Žmogaus proto tyrinėjimas.  Pradai.  1995. THU027
Huttner, Per (ed.)
Curatorial Mutiny. Critical and Creative Texts on the Role of the Contemporary Artist and Curator.  Stockholm.  2004.  THU092
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