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Harrison, Charles; Wood, Paul; Jason, Gaiger (sud.)

Art in Theory 1815 – 1900 London: Blackwell 2002. TMHA463

Hatt, Michael; Klonk, Charlotte.

Art History. A Critical Introduction to Its Methods. Manchester University Press. 2006. THA351

Hausdorf, Nicolas; Goller, Alexander.

Superstructural Berlin. Zero Books. 2015. THA611

Hayles, N. Katherine

How We Became Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics. The University of Chicago Press, Chicago / London . 1999. THA147

Hee-Young, Kim

Korean Abstract Painting. A formation of Korean Avant-Garde Seoul: Hollym 2013. TMHE526

Heinrich, Will (ed.)

A Conversation About A Talk That Never Happened. Diedrich Diederichsen. New York: Goethe-Institut. 2012. TMDI594

Heiser, Jőrg

All of a Sudden: things that Matter in Contemporary Art Berlin: Sternberg Press 2010. TMHE496

Heiss, Alanna.

Placing the Artist / Die Platzierung des Künstlers. 100 Notes - 100 Thoughts, dOCUMENTA (13). Hatje Cantz. 2011. TMHE704

Helme, Sirje (ed.)

Different Modernism, Different Avant-Gardes. Problems in Central Eastern European Art After World War II. KUMU, Tallinn. 2009. THE216
Collection of conference papers.

Helme, Sirje (ed.)

Lost Eighties. Problems, Themes and Meanings in Estonian Art on 1980s. Centre for Contemporary Arts, Estonia. 2010. THE256

Helme, Sirje; Kangilaski, Jaak; Sarapik, Virve (eds.)

Noisy Nineties. Problems, themes and Meanings in Estonian Art on 1990s. Centre for Contemporary Arts Estonia. 2001. THE076

Hervé, Louise; Maillet, Chloé.

Spectacles Without Objects. Kunsthal Aarhus. 2016. AHE118

Heta, Albert; Osmani, Vala (eds.)

The way between Belgrade and Prishtina has 28000 un-proper build objects. So, never it will be an auto-ban! Center for Contemporary Art Prishtina. 2008. THE107
Transcripts and texts from “Cultural Policies as Crisis Management?”, project by Stacion Center for Contemporary Art, Prishtina.

Hiller, Susan; Martin, Sarah (eds.)

The Producers: Contemporary Curators in Conversation (2). University of Newcastle. 2001. THI036

Hiller, Susan; Martin, Sarah (eds.)

The Producers: Contemporary Curators in Conversation (3). University of Newcastle. 2001. THI023

Hiller, Susan; Martin, Sarah (eds.)

The Producers: Contemporary Curators in Conversation. University of Newcastle. 2000. THI024

Hiltbrunner, Michael; Schenker, Christoph (eds.)

Kunst und Öffentlichkeit. Kritische Praxis der Kunst im Stadtraum Zürich. JRP|Ringier. 2007. THI100
With texts by Marius Babias, Bernadette Fülscher, Oliver Marchart, Stefan Römer, Hito Steyerl, Philip Ursprung, Ulrich Vonrufs, Tim Zulauf; with contributions by artists Monica Bonvicini, Matthew Buckingham, Harun Farocki, Knowbotic Research, Claudia and Julia Müller, Lawrence Weiner, San Keller, and Shirana Shahbazi. Language: German.

Hlavajova, Maria; Lutticken, Sven; Winder, Jill (eds.)

.) The Return of the Religion and Other Myths: a Critical Reader in Contemporary Art. BAK, Utrecht. 2009. THL254

Hlavajova, Maria; Winder, Jill (eds.)

Concerning War: A Critical Reader. BAK Utrecht. BAK, basis voor actuele kunst and Revolver, Archiv für aktuelle Kunst (Utrecht/Frankfurt am Main). 2006. THL105
With contributions by Matthew Buckingham, Copenhagen Free University, Critical Art Ensemble, Clémentine Deliss, Joachim Koester, Sven Lütticken, Eva Meyer & Eran Schaerf, Marion von Osten, Alejandro del Pino Velasco/Sarat Maharaj, Irit Rogoff, Natascha Sadr Haghighian & Ashley Hunt, Simon Sheikh.

Hlavajova, Maria; Winder, Jill; Choi, Binna.

On Knowledge Production: A Critical Reader in Contemporary Art. BAK, basis voor actuele kunst; Revolver. 2008. THL187

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