Art in Theory 1815 – 1900 London: Blackwell 2002. TMHA463
Art History. A Critical Introduction to Its Methods. Manchester University Press. 2006. THA351
Superstructural Berlin. Zero Books. 2015. THA611
How We Became Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics. The University of Chicago Press, Chicago / London . 1999. THA147
Korean Abstract Painting. A formation of Korean Avant-Garde Seoul: Hollym 2013. TMHE526
A Conversation About A Talk That Never Happened. Diedrich Diederichsen. New York: Goethe-Institut. 2012. TMDI594
All of a Sudden: things that Matter in Contemporary Art Berlin: Sternberg Press 2010. TMHE496
Placing the Artist / Die Platzierung des Künstlers. 100 Notes - 100 Thoughts, dOCUMENTA (13). Hatje Cantz. 2011. TMHE704
Different Modernism, Different Avant-Gardes. Problems in Central Eastern European Art After World War II. KUMU, Tallinn. 2009. THE216
Collection of conference papers.
Collection of conference papers.
Lost Eighties. Problems, Themes and Meanings in Estonian Art on 1980s. Centre for Contemporary Arts, Estonia. 2010. THE256
Noisy Nineties. Problems, themes and Meanings in Estonian Art on 1990s. Centre for Contemporary Arts Estonia. 2001. THE076
Spectacles Without Objects. Kunsthal Aarhus. 2016. AHE118
The way between Belgrade and Prishtina has 28000 un-proper build objects. So, never it will be an auto-ban! Center for Contemporary Art Prishtina. 2008. THE107
Transcripts and texts from “Cultural Policies as Crisis Management?”, project by Stacion Center for Contemporary Art, Prishtina.
Transcripts and texts from “Cultural Policies as Crisis Management?”, project by Stacion Center for Contemporary Art, Prishtina.
The Producers: Contemporary Curators in Conversation (2). University of Newcastle. 2001. THI036
The Producers: Contemporary Curators in Conversation (3). University of Newcastle. 2001. THI023
The Producers: Contemporary Curators in Conversation. University of Newcastle. 2000. THI024
Kunst und Öffentlichkeit. Kritische Praxis der Kunst im Stadtraum Zürich. JRP|Ringier. 2007. THI100
With texts by Marius Babias, Bernadette Fülscher, Oliver Marchart, Stefan Römer, Hito Steyerl, Philip Ursprung, Ulrich Vonrufs, Tim Zulauf; with contributions by artists Monica Bonvicini, Matthew Buckingham, Harun Farocki, Knowbotic Research, Claudia and Julia Müller, Lawrence Weiner, San Keller, and Shirana Shahbazi. Language: German.
With texts by Marius Babias, Bernadette Fülscher, Oliver Marchart, Stefan Römer, Hito Steyerl, Philip Ursprung, Ulrich Vonrufs, Tim Zulauf; with contributions by artists Monica Bonvicini, Matthew Buckingham, Harun Farocki, Knowbotic Research, Claudia and Julia Müller, Lawrence Weiner, San Keller, and Shirana Shahbazi. Language: German.
.) The Return of the Religion and Other Myths: a Critical Reader in Contemporary Art. BAK, Utrecht. 2009. THL254
Concerning War: A Critical Reader. BAK Utrecht. BAK, basis voor actuele kunst and Revolver, Archiv für aktuelle Kunst (Utrecht/Frankfurt am Main). 2006. THL105
With contributions by Matthew Buckingham, Copenhagen Free University, Critical Art Ensemble, Clémentine Deliss, Joachim Koester, Sven Lütticken, Eva Meyer & Eran Schaerf, Marion von Osten, Alejandro del Pino Velasco/Sarat Maharaj, Irit Rogoff, Natascha Sadr Haghighian & Ashley Hunt, Simon Sheikh.
With contributions by Matthew Buckingham, Copenhagen Free University, Critical Art Ensemble, Clémentine Deliss, Joachim Koester, Sven Lütticken, Eva Meyer & Eran Schaerf, Marion von Osten, Alejandro del Pino Velasco/Sarat Maharaj, Irit Rogoff, Natascha Sadr Haghighian & Ashley Hunt, Simon Sheikh.
On Knowledge Production: A Critical Reader in Contemporary Art. BAK, basis voor actuele kunst; Revolver. 2008. THL187
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