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Secession: The Century of Artistic Freedom.  Prestel.  1998. GVE080
Sensation. Young British Artists from the Saatchi Collection. Thames and Hudson, London; Royal Academy of Arts, London. 1998 (2000). GVE141
Sensation. Young British Artists from the Saatchi Collection. Thames and Hudson, London; Royal Academy of Arts, London.  2000. GVE141
Motti, Gianni; Nashat, Sharyar; Poloni, Marco; Wildi, Ingrid .
Shadows Collide With People.  Swiss Pavilion, 51st Venice Biennale 2005.  2005. GVE119
Shifting Identities. (Swiss) Art Now.  Kunsthaus Zürich.  2008. GVE117
Sleth Modernism. Sleth A/S  2010. GVE152
Still Life.  British Council.  2002. GVE081
Supernova. The British Council.  2005. GVE082
Swiss Made. Präzision und Wahnsinn. Positionen der Schweizer Kunst von Hodler bis Hirschhorn. Hatje Cantz.  2007. GVE109
Swissness.  Verlag Niggli AG Sulgen und Zurich.  2010. GVE144
Talking about the Real World. Contemporary Swiss Art.  Chiba Museum of Art.  2005. GVE131
The Doors. Anna Vormann, Gunnar Friel.  Freundeskreis Kulturbahnhof Eller E.V.  2003. GVE083
The Golden Fleece / La Toison d’Or.  Girold. 2004. GVE084
The House of Fiction.  Sammlung Hauser und Wirth, St.Gallen.  2002. GVE112
The Indiscipline of Painting – international abstraction from the 1960s to now.  Tate Trust. 2011. GVE167
The Police Return to the Magic Shop – La Guerre, Le Theatre, La Correspondance.  Editions de Jeu de Paume, Paris.  2011. GVE147
The Process III.  Nieves. 2004. GVE127
The Process III. Nieves. 2007. GVE128
The redistribution of surplus / Addo’s holiday camp.  Mike Bode & Staffan Schmidt.  2003. GVE088
The Saatchi Gift to the Arts Council Collection.  The South Bank Centre.  2000. GVE085
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ŠMC dienos stovyklos 11–14 metų moksleiviams
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Social Practice: What is the role of participation in Contemporary Art?
Jewish Vilna and Beyond: Contemporary Art and Historical Memory
Alternating Current ~ Listening Session: Požemis – Sraunus – Požemis
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